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Barges, (BPL 6)
Unmounted (ref: 5714)
Signed titled and printed by artist's nephew from the original block
5 1/8 x 6 1/4 in. (14 x 15.5 cm)


Barges dates to 1924 and is amongst Leighton's earliest work.  Writing of this print later in life Leighton commented: They were days of interpreting the world around me.  For the time being, economically secure with my earnings from teaching (at the RCA), I had not taken advantage of the accolade of the Eric Gill purchase (see The Malthouse).  In one was I was wondering free.  So I engraved early prints such as The Calf Auction, Barges and other scenes around me in the little market town of Bishops Startford for my own pleasure.
There were not very subtle prints.  I know that well.  I was not yet abole to realise the potential of this new medium.  More concerned with putting down on the wood the excitement of a design.  I did not trouble to think that I was choosing the easiest path.  I know now how overly black the prints were, and understood Belloc's reproach of 'the exaggeration of black'.  But i had to live through this uncertain phas.  And I have now come to realise that the most important element for the beginner that I most certainly was, must be the creative impulse that chronicles the emotion rather than the technical perfection, (see Clare Leighton, The Growth and Shaping of An Artist-Writer, p. 9, Published by The Estate of Clare Leighton).

Barges was later published by Longmans, Green & Co. in 1930 as Plate III of Woodcuts: Examples of the Work of Clare Leighton.

Clare Leighton (1898-1989)

Clare Hope Leighton (1898 - 1989) was an English/American artist, writer and illustrator, best known for her wood engravings.

Clare Leighton was born in London on 12 April 1898[1], the daughter of
Robert Leighton (1858-1934) and Marie Connor Leighton (1865-1941),
both authors. Her early efforts at painting were encouraged by her parents and her uncle Jack Leighton, an artist and illustrator. In 1915, she began formal studies at the Brighton College of Art and later trained at the Slade School of Fine Art (1921-23), and the Central School of Arts and Crafts, where she studied wood engraving under Noel Rooke.

During the late 1920s and 1930s, Leighton visited the United States on
a number of lecture tours. In 1939, at the conclusion of a lengthy relationship with the radical journalist Henry Brailsford, she emigrated to the US and became a naturalised citizen in 1945.

Over the course of a long and prolific career, she wrote and illustrated numerous books praising the virtues of the countryside and the people who worked the land. During the 1920s and 1930s, as the world around her became increasingly technological, industrial, and urban, Leighton portrayed rural working men and women. In the 1950s she created designs for Steuben Glass, Wedgwood plates, several stained glass windows for churches in New England and for the windows of Worcester Cathedral, Massachussetts (USA).

Leighton had two brothers, Roland and Evelyn. The older brother Roland
Leighton, immortalised in Vera Brittain's memoir, Testament of Youth,
was killed in action, December 1915. Evelyn became a captain in the Royal Navy and died in 1969.

The best known of her books are The Farmer's Year (1933; a calendar of
English husbandry), Four Hedges - A Gardener's Chronicle (1935; the
development of a garden from a meadow she had bought in the Chilterns)
and Tempestuous Petticoat; The story of an invincible Edwardian (1948;
describing her childhood and her bohemian mother). Autobiographical
text and illustrations are available in "Clare Leighton: the growth and shaping of an artist-writer", published 2009.

See all works by Clare Leighton