SOLD


 
Where Land Meets the Sea - Cranberry, (BPL 685)
Framed (ref: 7309)
The original woodblock
2 5/8 x 1 9/16 in.


 


Cranberry, issued in an edition of 75, was published on p. 73 of “Where Land Meets the Sea”, New York, Rineheart & Co., 1954.  Along with Henry David Thoreau’s “Cape Cod”, Leighton’s book has become a classic, a celebration of the people and activities of Cape Cod through sweeping wood block line work and embracing prose.  Subjects observed by Leighton included the fishermen who gain faith and dignity from the Blessing of the Fleet, the berry man who cherishes his bushes and the berry woman who delights in the sweet secrecy of a private stand of bushes. In these observations of friends and neighbors, Leighton sought to depict and illuminate universal truths.​

We are grateful to Thomas R Broker for assistance.


Provenance: The artist's newphew



Clare Leighton (1898-1989)

Clare Hope Leighton (1898 - 1989) was an English/American artist, writer and illustrator, best known for her wood engravings.

Clare Leighton was born in London on 12 April 1898[1], the daughter of
Robert Leighton (1858-1934) and Marie Connor Leighton (1865-1941),
both authors. Her early efforts at painting were encouraged by her parents and her uncle Jack Leighton, an artist and illustrator. In 1915, she began formal studies at the Brighton College of Art and later trained at the Slade School of Fine Art (1921-23), and the Central School of Arts and Crafts, where she studied wood engraving under Noel Rooke.

During the late 1920s and 1930s, Leighton visited the United States on
a number of lecture tours. In 1939, at the conclusion of a lengthy relationship with the radical journalist Henry Brailsford, she emigrated to the US and became a naturalised citizen in 1945.

Over the course of a long and prolific career, she wrote and illustrated numerous books praising the virtues of the countryside and the people who worked the land. During the 1920s and 1930s, as the world around her became increasingly technological, industrial, and urban, Leighton portrayed rural working men and women. In the 1950s she created designs for Steuben Glass, Wedgwood plates, several stained glass windows for churches in New England and for the windows of Worcester Cathedral, Massachussetts (USA).

Leighton had two brothers, Roland and Evelyn. The older brother Roland
Leighton, immortalised in Vera Brittain's memoir, Testament of Youth,
was killed in action, December 1915. Evelyn became a captain in the Royal Navy and died in 1969.

The best known of her books are The Farmer's Year (1933; a calendar of
English husbandry), Four Hedges - A Gardener's Chronicle (1935; the
development of a garden from a meadow she had bought in the Chilterns)
and Tempestuous Petticoat; The story of an invincible Edwardian (1948;
describing her childhood and her bohemian mother). Autobiographical
text and illustrations are available in "Clare Leighton: the growth and shaping of an artist-writer", published 2009.

See all works by Clare Leighton